![]() Haskell jewelry designs were influenced by Egyptomania - the craze for all things Egyptian - after the excavation of King Tut’s tomb in 1922. Some Haskell pieces were unsigned in the early days of production however the firm always produced objects that were trendy like Art Deco ear clips in period black and white geometric designs. ![]() The firm’s mark “Miriam Haskell” is typically found on the clasp, pin back or inside piece of her jewelry. The prominent maker’s mark and the high-quality materials make Miriam Haskell pieces unmistakable. Haskell’s jewelry was worn by some of the most famous fashion icons of the day, including Coco Chanel, Jackie Kennedy, Joan Crawford, Marilyn Monroe and Audrey Hepburn. The firm was one of the first to incorporate plastics and lucite into their costume jewelry designs.įollowing World War II and throughout the 1960s, Miriam Haskell achieved widespread market success with various collectible costume jewelry pieces ranging from bobby pins to bracelets. Quality materials included European beads, hand-picked seed pearls and Bohemian crystals. Miriam Haskell remains best known for producing costume jewelry designs featuring electroplating, inset stones and hand beadwork. By 1926, the firm was manufacturing vintage jewelry designs in New York and selling them with vigor. High society ladies of the mid-20th century enjoyed modern minimalist and machine aesthetic jewelry pieces. The team highlighted nature and its many interesting forms through their designs. Haskell and the firm’s lead designer, Frank Hess, were the heart and soul of the company. Haskell offered nature-inspired forms via look-alike baroque pearls, glass seed pods and tiny seashells. Miriam Haskell costume jewelry is defined by colorful set stones, gold filigree work and delicate seed pearls. Spotting a fine piece of Miriam Haskell costume jewelry starts with recognizing the quality materials, well executed jewelry settings and matching sets of earrings, necklaces and bracelets or brooches that became a staple of the Haskell design firm. The real story is that there is real money in fake jewelry and one of the big names in costume jewelry of the early- to late-1900s is Miriam Haskell. Don’t disregard costume jewelry because you may be throwing away a small fortune. Called “junque” jewelry by some, these surprisingly well-produced bracelets, brooches, necklaces and earrings are all too often incorrectly described as cheap when in fact many of these pieces are not only desirable but quite valuable.Ī common mistake that happens in antiques shops, thrift stores, yard sales and flea markets is the selling of valuable costume jewelry pieces for mere pennies on the dollar. Some of the most desirable personal adornment collectibles are the ever-popular objects within the category of vintage costume jewelry. Today, the pieces may be worth thousands of dollars. It is still in business today – so be wary of later designs.Miriam Haskell is one of the big names in costume jewelry of the early- to late-1900s. In the 1950s Miriam retires from her company. After WWII, the faux pearls were purchased from Japan. Haskell purchased faux pearls from Bohemia until the late 1930s. For example, beads from Italy and France and faux pearls from Japan. Haskell purchased materials from only the best sources. In the late 1940s most of the Miriam Haskell jewellery began to be marked. Most of the jewellery created at “Haskell” was unsigned at this time. Miriam oversaw all aspects of production. In the beginning of the 1930s Miriam Haskell establishes retail shops at Saks Fifth Avenue, NYC and Harvey Nichols in London. In 1926 Miriam Haskell goes into major production. Each piece was handmade and so elegant she gathered quite a following. In her twenties it is said that she ran a gift shop in New York City where she began making jewellery with great success. Miriam Haskell was born in Indiana in 1899. It is therefore easy to imagine why a Miriam Haskell item will command such a high price. These items undoubtedly took a long time to produce. You can see in her jewellery, natural motifs, the intricate flowers, natural materials and complex construction. Miriam Haskell took many cues from the artists of the Art Nouveau period. Miriam Haskell jewellery, 1924-present – is known for its elaborate and innovative design as well as the attention that is paid to detail in the construction of a piece.
0 Comments
Leave a Reply. |